a.k.a. "Chestnuts Roasting on an Open Fire"
written by Mel Tormé and Bob Wells in 1944 (Mel Tormé was 19 years old at the time). Nat King Cole recorded this tune four different times, and the last of them still gets a lot of air play during the Christmas season.
But here are two jazz guitar versions -- take your pick!
Performed by jazz guitarist Bob Champagne
Performed by jazz guitarist Sean Harkness
...from Mark Evanier:
I want to tell you a story about Mel Tormé, a generation gap, and “The Christmas Song”...
The scene is Farmer's Market – the famed tourist mecca of Los Angeles. It's a quaint collection of bungalow stores, produce stalls and little stands where one can buy darn near anything edible one wishes to devour. You buy your pizza slice or sandwich or Chinese food or whatever at one of umpteen counters, then carry it on a tray to an open-air table for consumption. On a winter weekday, not long before Christmas, the crowd was mostly older folks, dawdling over coffee and Danish. I arrived, headed for my favorite barbecue stand and, en route, noticed that Mel Tormé was seated at one of the tables.
Mel Tormé. My favorite singer. Just sitting there, sipping a cup of coffee, munching on an English Muffin, reading The New York Times. Mel Tormé.
I had never met Mel Tormé. Alas, I still haven't, and now I never will. He looked like he was engrossed in the paper that day, so I didn't stop and say, "Excuse me, I just wanted to tell you how much I've enjoyed all your records." I wish I had.
Instead, I continued over to the BBQ place, got myself a chicken sandwich and settled down at a table to consume it. I was about halfway through when four Christmas carolers strolled by, singing "Let It Snow," a cappella.
They were young adults with strong, fine voices and they were all clad in splendid Victorian garb. The Market had hired them (I assume) to stroll about and sing for the diners — a little touch of the holidays.
"Let It Snow" concluded not far from me to polite applause from all within earshot. I waved the leader of the chorale over and directed his attention to Mr. Tormé, seated about twenty yards from me.
"That's Mel Tormé down there. Do you know who he is?"
The singer was about 25, so it didn't horrify me that he said, "No."
I asked, "Do you know 'The Christmas Song?'"
Again, a "No."
I said, "That's the one that starts, 'Chestnuts roasting on an open fire...'"
"Oh, yes," the caroler chirped. "Is that what it's called? 'The Christmas Song?'"
"That's the name," I explained. "And that man wrote it." The singer thanked me, returned to his group for a brief huddle...and then they strolled down towards Mel Tormé. I ditched the rest of my sandwich and followed, a few steps behind. As they reached their quarry, they began singing, "Chestnuts roasting on an open fire..." directly to him.
A big smile formed on Mel Tormé's face — and it wasn't the only one around. Most of those sitting at nearby tables knew who he was and many seemed aware of the significance of singing that song to him. For those who didn't, there was a sudden flurry of whispers: "That's Mel Tormé...he wrote that..."
As the choir reached the last chorus or two of the song, Mel got to his feet and made a little gesture that meant, "Let me sing one chorus solo." The carolers — all still apparently unaware they were in the presence of one of the world's great singers — looked a bit uncomfortable. I'd bet at least a couple were thinking, "Oh, no...the little fat guy wants to sing."
But they stopped and the little fat guy started to sing...and, of course, out came this beautiful, melodic, perfectly-on-pitch voice. The look on the face of the singer I'd briefed was amazed at first...then properly impressed.
On Mr. Tormé's signal, they all joined in on the final lines: "Although it's been said, many times, many ways...Merry Christmas to you..." Big smiles all around.
And not just from them. I looked and at all the tables surrounding the impromptu performance, I saw huge grins of delight...which segued, as the song ended, into a huge burst of applause. The whole tune only lasted about two minutes but I doubt anyone who was there will ever forget it.
I have witnessed a number of thrilling "show business" moments — those incidents, far and few between, where all the little hairs on your epidermis snap to attention and tingle with joy. Usually, these occur on a screen or stage. I hadn't expected to experience one next to a falafel stand — but I did.
Tormé thanked the harmonizers for the serenade and one of the women said, "You really wrote that?"
He nodded. "A wonderful songwriter named Bob Wells and I wrote that...and, get this — we did it on the hottest day of the year in July. It was a way to cool down."
Then the gent I'd briefed said, "You know, you're not a bad singer." He actually said that to Mel Tormé.
Mel chuckled. He realized that these four young folks hadn't the velvet-foggiest notion who he was, above and beyond the fact that he'd worked on that classic Christmas song. "Well," he said. "I've actually made a few records in my day..."
"Really?" the other man asked. "How many?"
Tormé smiled and said, "About ninety."
Mel Tormé worked on the Judy Garland television show in the 1960s (as arranger and performer), and this clip has them performing “The Christmas Song” as a duet; Miss Garland flubs the lyrics in several places, and Mr. Tormé takes it all in stride. Here, Mel plays piano, but he was also a jazz drummer of note. Click on "How High the Moon" in the column to the right, and you can see and hear Mel play drums while Nat King Cole plays a mean piano backing up vocalist June Christy. Both men later gave up their respective instruments to perform exclusively as vocalists. Trivia: Mr. Tormé also appeared as an actor in more than 20 films.